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Jonathan Lowe

Jonathan Lowe, Author of Who Moved My TV?

   Jonathan Lowe is the award winning author of four novels and numerous radio dramas. Having published widely in magazines, he is editor of TowerReview.com.

Learn more about Jonathan here:
    TowerReview.com
    Jonathan's Blog
    Facebook

 

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Who Moved My TV? by Jonthan Lowe Postmarked for Death by Jonathan Lowe

 

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Who Moved My TV? by Jonthan Lowe

    Question: when do sewer rats in suburbia acquire intelligence and cunning? Answer: when they begin calling each other names. For Duff and Tuff, newly arrived on Conner's lawn after being ejected from a drain culvert during a flood, their I.Q. soon begins to rise while Conner's falls. Conner, you see, is obsessed with TV. Now the plan is to keep this bachelor from going through with his vow to change his life (and their situation) by pretending to be his supposedly deceased ex wife. Inspired by "  Who Moved My Cheese?,"   this short fable has but one lesson: imagination is linked to reading, not watching television.

                                                                    Excerpt
Word Count: 9600
Pages to Print: 43
File Format: PDF                  Price:
$3.99

     

   
Postmarked for Death by Jonathan Lowe Meet Calvin Beach, a disturbed postal clerk with a grudge against illegal immigrants and welfare mothers. He plans to keep postal inspectors busy with homemade bombs. He will succeed, too, because he has a patsy chained in an abandoned Titan missile base in the desert. But Calvin is also being watched by a rookie postal inspector named Victor Kazy, the one person who suspects the police are looking for the wrong man. When Victor finally uncovers the truth about an abduction—that of his partner Maria—watch Calvin “go postal.”

                                                                                      Excerpt
Word Count:
85,500
Pages to Print: 291
File Format: PDF
Price: 5.99
 
     

   
   



EXCERPTS

Who Moved My TV?

    Once upon a time, not long ago nor far away, there lived two sewer rats whose names were Duff and Tuff. Like most ignorant rodents looking to survive, they didn't always have names, nor were they always friends. In fact, neither of them had even so much as sampled dumpster nachos together until one day a rain surge flooded the tunnel into which they'd run, and ejected them from their dark culvert, high up onto a soggy lawn in the forbidden daylight of Overground.
    At first the two were terrified, and unable to move. They just looked at each other for the first time, splayed out as they were on the wet grass, with their slick hair matted down. Then the one to be known as Duff said, "You ugly."
    Oddly, this statement got no reaction, even though it occurred somehow to Duff himself that it wasn't a very nice―much less constructive―observation to make. Here, in the daymare realm of suburban lunacy, it just seemed so appropriate Duff felt no guilt at all. So he repeated himself. "Did you hear me?" Duff asked. "I said 'you ugly.'"
    Now the other rat, as yet immobile, merely stared past him at the drainage culvert from which they had both been ejected, yet seemed to feel no disgrace or outrage at Duff's statement. And when he finally did reply, it was with another odd question, which was, "What's ugly?"
    Duff was puzzled by this response, and then felt a sense of awe overwhelming his terror as he realized he really shouldn't know what the word ugly meant, either. After all, with what was he making a comparison? Considering it, Duff eventually concluded there was something about being here―on this beautiful green lawn in broad daylight―that had somehow influenced such thoughts. Perhaps the very act of noticing how beautiful it was had somehow done it, if not considering the very concept of beautiful. In any event, the next thing he said was, "You Tuff."
    "Tuff?" asked Tuff, perplexed.
    Duff sighed, having noticed that Tuff had not only lifted his head, (while dodging the insults hurled at him), but had also managed to stand and swish his tail, allowing a warm breeze heated by the sun to dry out his fur. Duff tried to stand up himself, and failed. "Tuff," repeated Tuff, noticing how pathetic his new companion now looked by comparison. "I guess I am Tuff!" Then he frowned, which in sewer rats consisted of flashing one's lower teeth. "But you . . . you better get up off your duff and act tuff, or we both be seen, sure enough."             
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Postmarked for Death

                                                               
Prologue

He pushed through the swinging back doors into the carrier station. People he’d seen every day for years were there, busy as usual. He walked past them. When he got to the big fan set up near the stairwell, he paused and stared into it. Taking off his sunglasses for a moment, he gazed into the polished and spinning surface of the fan’s convex center hub.

It was like a circus mirror.

His face appeared fat, and drenched with sweat. His bloodshot eyes stared back at him like a clown’s whose makeup had run. He turned to look back at the others, wondering if they saw, too, but no one cared for sideshows.

The stairwell’s doorknob beckoned. Gleaming. Seeing a tiny but headless reflection of his body mirrored in it, he reached out his hand in fascination. Then he gripped it. Suddenly, resolutely. Like a handshake. Finally, he opened the door and stepped inside.

Once on the staircase, he began to climb methodically, one step at a time. Having come to return his postal carrier pack as he’d been instructed, he now opened the pack and withdrew the .45 automatic inside. When he arrived at the top of the stairs, he opened the door into the office hallway, and could hear the secretaries chatting together. Laughing.

It was cooler up here. Much cooler.

He ran his hand across his matted hair, feeling for a moment the cold air streaming down from the vent nearest him. Then he lifted his gun, and started down the hallway. Walking past the offices, he fired as he went. When he got to the corner office, he found station manager Ollie Westover behind his mahogany desk, on the phone. A cup of black coffee was spilled across several papers.

Ollie looked up and said, “No—don’t do it . . . Thompson, right?”

“Right,” Thompson said. And fired.

Afterward, he went to the window, and gazed down at the street fronting the postal station. As he waited, he felt the air conditioning coming from the vent above Ollie’s slowly cooling body. Then, in the distance, he heard the expected sirens approach. At last, several police cars and an unmarked white Cavalier arrived, screeching into the front lot, narrowly missing several patrons.

He smiled sadly as he put the .45 to his own head.

“Vaya con Dios,” he whispered.
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